Twenty-Five Easy and Progressive Studies for the Piano, Op. 100: Piano Solo | 
enlarge | Creators: J. Friedrich Burgmuller, Louis Oesterle Publisher: G. Schirmer, Inc. Category: Book
List Price: $4.95 Buy New: $2.99 You Save: $1.96 (40%)
New (12) Used (6) Collectible (3) from $2.50
Rating: 5 reviews Sales Rank: 25689
Media: Paperback Pages: 36 Number Of Items: 1 Shipping Weight (lbs): 0.3 Dimensions (in): 11.6 x 8.8 x 0.2
ISBN: 079352556X Dewey Decimal Number: 782 UPC: 073999553307 EAN: 9780793525560 ASIN: 079352556X
Publication Date: November 1, 1986 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: H20090104022346D
| |
| Similar Items:
|
| Editorial Reviews:
Product Description Contents: Arabesque No. 2 * Ave Maria * Ballade * Barcarolle * Consolation, Op. 33,, No. 1 (Karg-Elert) * Douce Plainte * Innocence * Inquietude No. 18 * L'adieu * L'harmonie des Anges * L'hirondelle * La Babillarde * La Bergeronnette * La Candeur * La Chasse * La Chevaleresque * La Gracieuse * La Petite Reunion * La Styrienne * La Tarentelle * Le Courant Limpide * Le Retour * Pastorale No. 3 * Progres * Tendre Fleur.
|
| Customer Reviews:
great for small hands! October 30, 2008 C. Ely (USA) These are so much fun to play, and very attainable. My daughter has only been playing piano for a year, and she is very motivated to learn some of these, and is doing quite well! Again, for an experience player, these are just great for keeping up your skills and playing when time is limited. They are very enjoyable.
one of the best instructional books for beginners September 17, 2007 PuppyTalk (NY United States) 10 out of 10 found this review helpful
I started taking lessons at 8, with Ferdinand Beyer's beginner's book, which deserves the highest praise, though it's not widely used in this country. After Beyer, I proceeded with this book, Burgmuller's 25 pieces. Each song has a title, and each song trains you not only technically, but how to express, how to interpret, how to use your imagination, and most of all, how to play beautifully. The pieces are easy, but they are of quality which advanced students can play them in really professional ways. That means, these pieces have depth that challenges the student's true musicality, imagination, and creativity.
I have owned this book for more than 35 years now, still in very good shape despite the heavy usage. I am much more advanced now, of course, but I still use it frequently. These pieces can be played, for their beauty, grace, and integrity, at church, wedding, etc. I can't count how many of my church congregation have expressed their appreciation whenever I played any one of the pieces. They are just such precious jewels of music.
Now I teach piano at home, and this book has been a delight for both my students and myself. I'd say these pieces are just as immortal as Bach's inventions. I'd recommend this book to anyone, from beginner to advanced students. It's for advanced beginners (if there are such thing), but very much enjoyable for even professional pianists, for whoever truly appreciates and loves music.
popular in the piano studio, and deservedly so March 3, 2007 Robertson Thomas (Hongcheon, Gangweon, South Korea) 3 out of 5 found this review helpful
When I was a kid, I enjoyed this book because of its pungent chromatic progressions (#25, ms. 7-8), its dominant chains (#23, ms. 17-24), and its modulations into relative major and minor keys (#14, ms. 13-20; #18, ms. 9-16).
One might also praise the book for its motive play (#2, ms. 12-17), its contrapuntal sprinklings (#4, ms. 15-18), and, in two of its numbers (#12, #15), its liberality of phrase lengths.
In circles of musical snobbery, the title of "great composer" is reserved for one who is consistently contrapuntal and consistently liberal with phrase lengths. Burgmuller may not be a great composer, but he is good enough for most of us.
A must for teachers/students library January 13, 2006 Dara May 4 out of 4 found this review helpful
I use this book for all my students and they love it! The pieces are very nice. They make learning piano technique and artistry really enjoyable. This book is for the intermediate students. Better to use this book after students learn scales, chords, and arpeggios so they can learn the pieces by recognizing patterns, which make them learn the pieces faster. Highly recommended!
Exactly what it says it is October 25, 2004 Rock J. Janecek (California USA) 21 out of 21 found this review helpful
I'll start with a preface: I have been playing piano for four years, I started when I was 18, and aside from six one-unit community college classes, I've never had any formal training. That said, this book is (in my opinion) a little tougher than the first "First Lessons in Bach" book and at the end is still easier than most of the second "First Lessons" Bach book. It fits squarely in the middle, which would be a good run up towards Schumann's Album Fuer Die Jugend or a book of Bach's inventions.
Also it would be useful for an accomplished pianist to run through these as one would Hanon or Czerny, only these are actual songs, which helps to break up the monotony of finger exercises. Not to say Hanon or Czerny aren't important; diversity is simply a good thing to have.
I'm a total amateur, and I was looking for something less intense than Bach, less repititious than Hanon, and less insane than Czerny. Burgmuellers Twenty-Five Easy and Progressive Studes fits the bill nicely.
|
|
|