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Mozart - Cosi fan tutte / Lott McLaughlin Focile Hadley Corbelli Cachemaille Sir Charles Mackerras | 
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| Artists: Wolfgang Amadeus Mozart, Charles Mackerras, Felicity Lott, Marie Mclaughlin, Scottish Chamber Orchestra, Nuccia Focile, Jerry Hadley, Gilles Cachamaille, Alessandro Corbelli
Label: Telarc
Category: Music
List Price: $49.98
Buy New: $22.98
You Save: $27.00 (54%)
New (8) Used (2) from $17.99
Rating:  4 reviews
Sales Rank: 326153
Media: Audio CD
Discs: 3
Shipping Weight (lbs): 0.8
Dimensions (in): 5.5 x 5 x 1.3
UPC: 089408036026
EAN: 0089408036026
ASIN: B000003CZZ
Release Date: March 29, 1994
Availability: Usually ships in 1-2 business days
Condition: Brand new Item. CD, DVD, Book, VHS more than 400 000 titles to choose from. ALL days Low Price !
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| Tracks:
Disc 1
| • | Ouvertura | | • | Act 1. No. 1. Terzetto. La mia, Dorabella capace non e | | • | Act 1. No. 1. Recitativo. Fuor la spada! | | • | Act 1. No. 2. Terzetto. E la fede delle femmine | | • | Act 1. No. 2. Recitativo. Scioccherie di poeti! | | • | Act 1. No. 3. Terzetto. Una bella serenata | | • | Act 1. No. 4. Duetto. Ah, guarda, sorella | | • | Act 1. No. 4. Recitativo. Mi par che stamattina | | • | Act 1. No. 5. Aria. Vorrei dir | | • | Act 1. No. 5. Recitativo. Stelle! Per carita, signor Alfonso | | • | Act 1. No. 6. Quintetto. Sento, oddio, che questo piede | | • | Act 1. No. 6. Recitativo. Non piangere, idol mio! | | • | Act 1. No. 7. Duettino. Al fato dan legge quegli occhi | | • | Act 1. No. 7. Recitativo. La commediae graziosa | | • | Act 1. No. 8. Coro. Bella vita militar! | | • | Act 1. No. 8. Recitativo. Non v'e piu tempo | | • | Act 1. No. 9. Quintetto (con Coro). Di scrivermi ogni giorno | | • | Act 1. No. 9. Recitativo. Dove son? | | • | Act 1. No. 10. Terzettino. Soave sia il vento | | • | Act 1. No. 10. Recitativo. Non son cattivo comico! | | • | Act 1. No. 10. Recitativo. Che vita maledetta | | • | Act 1. No. 11. Aria. Smanie implacabili | | • | Act 1. No. 11. Recitativo. Signora Dorabella | | • | Act 1. No. 12. Aria. In uomini, in soldati | | • | Act 1. No. 12. Recitativo. Che silenzio! | | • | Act 1. No. 13. Sestetto. Alla bella Despinetta | | • | Act 1. No. 13. Recitativo. Che susurro! Che strepito! | | • | Act 1. No. 14. Aria. Come scoglio immoto resta | | • | Act 1. No. 14. Recitativo. Ah, non partite! | | • | Act 1. No. 15. Aria. Non siate ritrosi | | • | Act 1. No. 16. Terzetto. E voi ridete | | • | Act 1. No. 16. Recitativo. Si puo sapere un poco | | • | Act 1. No. 17. Recitativo. Un'aura amorosa | | • | Appendix. Act 1. No. 15a. Aria. Rivolgete a lui lo sguardo | | • | Appendix. Act 1. No. 16. Terzetto. E voi rideete |
Disc 2
| • | Act 1. No. 17. Recitativo. Oh, la saria da ridere! | | • | Act 1. No. 18. Finale. Ah, che tutta in un momento | | • | Act 1. No. 18. Finale. Si mora, si, si mora | | • | Act 1. No. 18. Finale. Eccovi il medico | | • | Act 1. No. 18. Finale. Dove son? | | • | Act 1. No. 18. Finale. Dammi un bacio | | • | Act 2. No. 18. Recitativo. Andate l | | • | Act 2. No. 19. Aria. Una donna a quindici anni | | • | Act 2. No. 19. Recitativo. Sorella, cosa dici? | | • | Act 2. No. 20. Duetto. Prendero quel brunettino | | • | Act 2. No. 20. Recitativo. Ah, correte al giardino | | • | Act 2. No. 21. Duetto con Coro. Secondate, aurette amiche | | • | Act 2. No. 21. Recitativo. Il tutto deponete | | • | Act 2. No. 22. Recitativo. Oh, che bella giornata! | | • | Act 2. No. 23. Duetto. Il core vi dono, bell'idolo mio | | • | Act 2. No. 23. Recitativo. Barbara, perche fuggi? | | • | Act 2. No. 24. Aria. Ah, lo veggio: quell'anima bella | | • | Act 2. No. 24. Recitativo. Ei parte... Senti... Ah, no | | • | Act 2. No. 25. Rondo. Per pieta, ben mio, perdona |
Disc 3
| • | Act 2. No. 25. Recitativo. Amico, abbiamo vinto! | | • | Act 2. No. 26. Aria. Donne mie, la fate a tanti | | • | Act 2. No. 26. Recitativo. In qual fiero contrasto | | • | Act 2. No. 27. Cavatina. Tradito, schernito | | • | Act 2. No. 27. Recitativo. Bravo! Questa e costanza! | | • | Act 2. No. 27. Recitativo. Ora vedo che siete | | • | Act 2. No. 28. Aria. E amore un ladroncello | | • | Act 2. No. 28. Recitativo. Come tutto congiura | | • | Act 2. No. 29. Duetto. Fra gli amplessi | | • | Act 2. No. 29. Recitativo. Oh, poveretto me! | | • | Act 2. No. 30. Aria. Tutti accusan le donne | | • | Act 2. No. 30. Recitativo. Vittoria, padroncini! | | • | Act 2. No. 31. Finale. Fate presto, o cari amici | | • | Act 2. No. 31. Finale. E nel tuo, nel mio bicchiero | | • | Act 2. No. 31. Finale. Miei signori, tutto e fatto | | • | Act 2. No. 31. Finale. Sani e salvi, agli amplessi amorosi | | • | Act 2. No. 31. Finale. Ah, signor, son rea di morte |
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| Similar Items:
| • | Mozart - Don Giovanni / Skovhus, Corbelli, Brewer, Hadley, Lott, Focile, Chiummo; Mackerras | | • | Mozart: Le Nozze di Figaro | | • | Mozart: Die Zauberfloete / Hendricks, J. Anderson, Steinsky, Hadley, Lloyd, Allen, Hornik, Mackerras | | • | Tchaikovsky - Eugene Onegin / Fleming, Vargas, Hvorostovsky, Gergiev, Carsen [Metropolitan Opera 2007] | | • | Massenet - Werther / Hadley von Otter Upshaw Fremeau Caton Theruel Ragon Lyon Opera Nagano |
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| Customer Reviews:
Hadley is the best Ferrando! March 29, 2006
Irene Adler (Seattle, WA)
2 out of 2 found this review helpful
While this is not the best Cosi available, I believe it is competitive with the more celebrated recordings by Bohm and Solti. I think it's far better than the widely-acclaimed and (in my opinion) over-rated Karajan version.
Mackerras' interpretation is certainly very non-offensive, but it's not incrediably memorable, and not as lively or visceral as Solti's. Felicity Lott and Marie McLaughlin's performances are technically sound, but lackluster. Nuccia Focile isn't particularly remarkable as Despina either.
What really makes up for the run-of-the-mill-ness of all those parts is the stellar male cast in this recording. Jerry Hadley is the definitive Ferrando of our time, and Alessandro Corbelli is one of my favorite buffo baritones. Gille Cachemaille's rich tone makes a great worldly Don Alfonso.
To sum it up: though the female cast is relatively weak compared to Bohm's and Solti's recordings, the male cast is by far superior, and that's what makes this recording a must-own for fans in search of the definitive Cosi experience.
 A well balanced Cosi fan tutte January 17, 2002
2 out of 2 found this review helpful
An excellent, wholly appropriate combination of attention to period performance practice without being tied to convention, with the full sonority of modern instruments. A beautiful ensemble performance, skillfully conducted by Mackerras, with a real sense of drama, clearly recorded (all of which is evident in the Don Giovanni by the same team). Enjoy.
 Okay recording October 12, 2000
3 out of 5 found this review helpful
While I admire the live feeling of this studio recording, the cast is nothing to brag about. Come Scoglio sounds terrible, and there's a general lack of perfection here and there. The chorus, however, is wonderful, and I admire the way Mackerras tries to conduct it with historical accuracy- the tempos are a little more brisk, etc. He also shares all the research he has done on this opera with you in an interesting essay.
Mozart rules! March 5, 2000
3 out of 9 found this review helpful
Cosi Fan Tutti is definately my favorite opera. is has some great orchestration, as well as that classical Mozart style. this recording is superb. the vocals are wonderful and so is the music. I definately recommend.
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Avenue5 | |
